Clothing
clear trades with India for cotton
clear trade with China for silk
more consumer society
- development of the middle class
Men’s Fashion
Early Century
exagerated silhouette
coat buttons extended to the hem
buckram stiffening was used to hold out full skirts of coats
highly decorative
waistcoat fit close to the body and was charter than the coat made with out sleeves
breeches were worn narrower and closer to to the leg
shoes were still rounded
main elements
- drawers
- shirt
- waistcoat
- coat
- breeches
Steinkirk: a style of wearing a cravat named after the 1692 battle where the solider supposedly twisted their cravats around their necks
moving away from the full-bottom wig, bag wig
Ditto Suit - coats did not necessarily match breeches or waistcoats, however, when they did it was called a ditto suit, all same fabric
- birth of modern 3 piece suit
- more
Frock coat - looser and shorter then dress coats and had a flat turned down collar
- suitable for country wear
- plain and not embroidered
Daytime
- woven wool for suits and coats
- breeches sturdier
- leather and buckskin for riding
Full Dress
- gold, silver and silks, flowery and reflective
- breachers lighter
Banyan
- comfortable loosely fitted garment
- also known as a morning gown or dressing grown
- t-shaped or kimono like
- derived from an indian gown
- often worn with a cap (in place of a wig)
- considered a state of undress
Macaroni or Dandy
- coined to describe young men who affected fussy foreign dress and grooming
- also called Fop or Elegants
- name thought to have come from the Macaroni Club
- a club of young men back from the Grand Tour in Italy
- wore exaggerations of current fashions
- fashion for narrow breeches did stick
- often wore stripped socks
Mid-Century
- fullness decreased
- side pleats eliminated
- waistcoats sleeveless, narrower and shorter
- single and double breasted
- breacher closer fit and fall-front
- stocks
- replaced cravats
- linen square, folded to form a high neck
- post 1730
wigs
- men who could afford them
- full bottomed (perri)
- post 1730s hair began to pull back toward bag wig
- club wig - wig where the ponytail is doubled back on itself to form a club
- queues - wig with a lock or pigtail at the back
- French toupee/English Foretop
- higher after 1750s and wider in 1780s
- made from human hair, horse hair and goats hair
- powdered with rice flour
- colors varied for daytime, but powdered for evening
- own hair cut short
Hats
- wearing wigs made hats less important
- became more of social etiquette
- tricorn - 3 cornered hat
- capeau bras - large wide brim often with feathers
- bicorn - after 1780s
Late Century
- development of top hats
- shift to english country living style
- more neutral tones, tans/greys/blacks
- garment seller
- second-hand clothes could be purchase form markets and clothes sellers
- black market for clothing
- made to measure
- men used tailors and women used dressmakers
- basic garments could be purchased in town
- shirts and breeches
Women’s Fasion
Early Century
- fantange - bows
- mantua - middle eastern influence robe that became belted and stitched
- softening of women’s dress
- patching - fabric or velvet patch attach to draw attention desired features or
- Watteau back - a term that came to be attached to the loosely fitting back style
- after 1715
- relaxed in woman’s dress
- Robe Battante/Robe Volante/ Innocent/Sacque
- over bell hoop
- pleats in back and front
- supposedly created by a kings mistress to hide pregnancy
- bridge between mantua and robe de la francaise
- simple hairstyles replaced elaborate fontange
- hair was waved loosely around the face
- 1730
- Robe a la française - pleated back but more synched at the waist then the loose square
- robe a la anglaise - garment that fit the the garment both front and back
- fashion dolls allowed for more universal fashion
1710s - cone shaped
1720s - shape becomes more like a dome
1730s - the favored shape becomes narrower
Stays- corsets- made from coarse fabric unless they were intended to be seen, tied tom the back
paniers- cane hoops word on the hip translates “basket” both for shape but also to
appeal to , unboned bodice worn at home to provide relief from the corset
Clocks - shoe
elbow and shoulder considered improper and scandalous
pinked - cut with zigzag shears
rooshed, gathering of fabric
mits - gloves that are fingerless
yellow - popular color from india
tippet - reminiscent of fur stole or boa
casaquin - jacket tightened through the bodice and a flared below the waist
Caracao - jacket tightened through the bodice and a flare flared below the waists
shoes - pointed toes, high heels, tounges and side piece called latchets that fastened over the inset
- red heel signified the upperclassed
Madam de Pompadour
- wasn’t nobility, member of the bourgeoisie
- very charismatic and style
- mistress of Louis XV
- took over part of running of Versailles
- in charge of flowers and gardening
- became one of his advisors
- would hold salons
- she was well-read, botanist, decorator
1740’s
- Paniers became incredibly wide
- women had to enter sideways
- extremely heavy! lots of gold and silver
- tete de mouton - “Sheeps head” tight curls
- wigs reached maximum height in the 1770s
Late Century
1780s
- became more pastoral
- hedgehog wig - shot in front long in the back
- calaches/calashes - hood made of a series of semi hoops sewn into hood at intervals
- hoops supported the hood that wouldn’t crush the hair
- skirts shortened
- polonaise - an over dress and petticoats in which they were pulled up over supports
- paniers staid as court dress
- bregere/shepherdess hat
- fischue - modesty shawl
- round or closed gown
- redingote - resembled english riding coat with wide lapels or refer at the neck
- bum roll - often made of cork
- fan movement/manners
Marie Antoinette
- Madeline Rose Bertin dressmaker to Maria
- hate court dress and politics
- like the shepherdess look
- chemise a la reine
- white muslin gown that resembled chemise, still pinched in at the waist and had a bum roll
- fabric imported from India
Bibliography
Courtais, Georgine De. Women's Headdress and Hairstyles in England from AD 600 to the Present Day. London: B.T. Batsford, 1986.
Kangas-Preston, Karen. "Rococo Clothing". Period Styles and Resources. Room 235, Auditorium. 8 October 2014.
Lester, Katherine Morris., and Bess Viola. Oerke. An Illustrated History of Those Frills and Furbelows of Fashion Which Have Come to Be
Known As: Accessories of Dress. Peoria, IL: Manual Arts, 1940.
Stokstad, Marilyn. Art History. Upper Saddle River, NJ: Pearson Prentice Hall, 2008. Print.
Waugh, Norah. Corsets and Crinolines. New York: Theatre Arts, 1970.
Wilcox, R T. The Mode in Costume. New York: C. Scribner's Sons, 1958.
Boucher
1750-75 Italian silk
c1760 British silk
Fragonard 1766 Oil on Canvas The Wallace Collection, Washington D.C
c1775 British silk, cotton
1774–93 French silk
c.1780 British wool